Wednesday, September 17, 2008

This is a man's world...fa la la la la...

It’s just like the Godfather of Soul said: “This is a maaaaaaan’s world.” The world of live music is a good example. Even if they won’t admit it to you or me, any truly honest male musician will admit to himself, eventually, that women who play in bands are still just the “chicks” in the band.

I’m stereotyping, of course. And stereotyping even more, it seems to me that women don’t need an excuse to get together. Men do. They need to DO something if they want to hang out with each other. My take on the live music scene is that for many male musicians, music fills the “getting together with the boys” space that for other men is filled with pro sports, cars, construction/destruction, or power tools. The axe (gee-tar) replaces the axe (hunter-gatherer), so to speak.

I played music with various groups in bars, at weddings, dances, etc. for 20+ years. Musicians love playing music for different reasons. Some love to perform. Some need the acceptance of the crowd. Some want to cultivate a “bad boy [girl]” rep. Some want to cling to youth. Some need the companionship of the band.

For me, it may be all of those things, but it’s also, ironically, the only way I know of (except sleep) to get away from my Self for a while. There’s something about the vibration of singing that makes everything else go away. When I let go and really feel the song, it makes me hum—down to the bone—at an unexplainable, elemental level. Relax. Breathe deeper. Feel something not related to the intellect, the obligations, the reasoning—something pure. I hate to sound all new-agey and ookie-spookie, but nothing else can open my chakras like singing can.

And just so you know, there are women musicians out there doing amazing things, women who never generate the buzz that surrounds male musicians. So I’m doing my itty bitty part, foisting my partial list of essential womensong on the world. Any album by any of these women is great, but here are a few faves:

Joan Armatrading (Hearts & Flowers; What’s Inside)
Jane Siberry (Bound by the Beauty; When I Was a Boy)
Rickie Lee Jones (Flying Cowboys; The Magazine; Pirates; Naked Songs)
Bonnie Raitt (anything)
Joni Mitchell (the oldest stuff is the “baby” Joni, sweet & soprano, all good, but I like the
gutsiness of the older, alto Joni--Blue; Court & Spark; Miles of Aisles)
k.d. lang (Hymns of the 49th Parallel; Shadowland; Drag)
Regina Spektor (Begin to Hope--bonus CD version)
Pretenders (anything, especially the oldest stuff)
Kate Bush (The Whole Story)
Aretha (anything)
Maria Muldaur (Maria Muldaur; Waitress in a Donut Shop)
Bette Midler (Songs for the New Depression)
Phoebe Snow (Phoebe Snow; Against the Grain; Never Letting Go)
Edie Brickell (Shooting Rubberbands at the Stars--with The Bohemians; Picture Perfect Morning)

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