TRIPTYCH
v Mother/Body
This
panel is the Madonna,
whose
hands have pared and cut
bitter
onion, turnip, carrot,
whatever
meat could be found,
have
sealed it with salt, water and fire,
have
buried day-old kittens,
necks
snapped by a restless tomcat,
have
peeled back the burnt skin
on
a child’s open palm,
handprints
brittle and delicate
as
silvery flakes of mica,
have
scrubbed stains from
a
girl’s rose-patterned bedsheets,
have
traced invisible, holy signs
on
the skin of a man’s back,
have
followed the curve
of
his muscled hip,
have
folded around him in prayer
v Daughter/Mind
This
panel is the Magdelene,
who
once lifted her foot to step over
a
fallen tree branch and stopped
mid-air,
caught in a rippled vision
of
a tree from which the branch
might
have fallen, then the constant
inescapable
drip drip dripping
cascade
of incessant thought—
a
scored, moss-covered trunk,
thick
wandering branches,
spreading
fan of twigs,
intricate
lacework of new growth
suspended
in air, tree and not tree,
or
the nature of Tree,
her
Self at the root—
She,
Tree, Air, God
and
Water, always Water
v Fire/Spirit
rose
petals, sorrow,
mhyrr
gum, desire and water
burn
clean and constant
ST.
DOMINIC
patron of choir boys
My
sons, three wild choirboys,
have
visions too, have wandered
in the
fog. They are brilliant,
these
boys who catch and sing the sun,
griefless,
hysterical, or strangely quiet.
Their
high notes burst like sparks
against
a dark South Dakota sky.
Their
low notes disturb the river’s
calm
surface. Teach them to settle
disputes
as you did, with relics—
thumbs
or long leg bones planted
in
a tenuous line of truce, flagline
between
their constant thieving
companions,
Need and Want.
Bully
them always toward
goodness
& mercy,
knock
them down in the
schoolyard
if you have to.