On the drive back, our youngest son called just to wish me a Happy Mother’s Day – just a cheerful, non-emergency thinking-of-you call. While we were gone, my daughter and her family went out to the farm to spend Mother’s Day with Mom, and when we got back home that night, my daughter’s beautiful, delicious pink champagne cupcakes were waiting for us.
The Crapshoot Theory, as it applies to parenting, accounts for crack moms whose kids grow up to be volunteer dentists with Doctors Without Borders or theoretical physicists whose kids grow up to be serial 7-11 stickup men. We can talk about nurturing, nutrition, good karma, guidance, education and the rest all we want, but there’s simply no clear reason why some kids grow up good, some go astray, and some end up Wall Street grifters.
I pushed inner stuff over outer stuff. I didn’t drive my kids to get straight A’s, dedicate themselves to sports, or go to church every Sunday. Maybe as a result of this (or planetary alignments, barometric pressure, Universal whim…), none of my kids was interested in college. They’re all artists – in music, with cakes, or on skateboards (maybe I should have drilled in some sort of ‘make a decent living’ lesson…).
Instead, I pushed (nagged, harangued, harped on) my kids to trust in family, love, and peace; to write thank-you cards; to see everyone – even big meanies – as part of the Big Community; to be grateful for the richness of their lives (even back when we were on Food Stamps & living on Kraft macaroni & cheese); and to be aware of others’ suffering. And yes, you should be visualizing me in a peasant blouse and a tiara of daisies right now, with “Get Together” playing in your head. And maybe as a result of this (or more likely the Crapshoot Theory), our kids have all become kind-hearted, affectionate, generous, compassionate human beings. And THAT’S a pretty incredible roll of the dice.
Here's the poem my son set to music...
Old Family Photo
This is the grandmother.
You see how she has dressed
the daughter in dark broadcloth,
eyelet at the sleeves, each fold pressed.
The sons on either side,
smooth and starched,
circles of cropped hair shining,
form the beginning and end of the arch.
You see how the grandfather
looms black and white
above them all, unsmiling,
hands hidden, small eyes glaring, frightened.
The seated grandmother
spreads her flowering hands,
touches them all.
Below the waist, she melts into shadow.
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